{"id":2355,"date":"2026-03-29T12:04:09","date_gmt":"2026-03-29T12:04:09","guid":{"rendered":"https:\/\/erinnakoenig.de\/?page_id=2355"},"modified":"2026-04-27T13:24:23","modified_gmt":"2026-04-27T13:24:23","slug":"s-e-l-f-mia-enell-erinna-koenig-cees-krijnen-annee-olofsson-ek-studio-2026","status":"publish","type":"page","link":"https:\/\/erinnakoenig.de\/en\/ausstellungen\/gruppenausstellungen\/s-e-l-f-mia-enell-erinna-koenig-cees-krijnen-annee-olofsson-ek-studio-2026\/","title":{"rendered":"S.E.L.F.Mia Enell, Erinna K\u00f6nig, Cees Krijnen, Anne\u00e8 Olofsson @ EK STUDIO, 2026"},"content":{"rendered":"

[et_pb_section fb_built=“1″ _builder_version=“4.27.4″ _module_preset=“default“ da_disable_devices=“off|off|off“ global_colors_info=“{}“ da_is_popup=“off“ da_exit_intent=“off“ da_has_close=“on“ da_alt_close=“off“ da_dark_close=“off“ da_not_modal=“on“ da_is_singular=“off“ da_with_loader=“off“ da_has_shadow=“on“][et_pb_row _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“4_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_heading title=“S.E.L.F. – Mia Enell, Erinna K\u00f6nig, Cees Krijnen, Anne\u00e8 Olofsson @ EK STUDIO, 2026″ _builder_version=“4.27.6″ _module_preset=“default“ title_font=“Avenir Light|100||on|||||“ title_text_align=“right“ global_colors_info=“{}“][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“3_4,1_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_column type=“3_4″ _builder_version=“4.27.4″ _module_preset=“default“ global_colors_info=“{}“][et_pb_text _builder_version=“4.27.6″ _module_preset=“default“ global_colors_info=“{}“]<\/p>\n

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The quest for life\u2019s meaning and the self within, is as old as mankind. In Michelangelo Pistoletto\u2019s words \u2018from the first handprint in a cave\u2019 man has been investigating the role of the self within the whole, our traces representing individua- tion of our being. Self as individual and in groups, is the form in which we identify and experience life as humans on Earth.<\/span><\/p>\n

The S.E.L.F. acronym \u2014 Self Eternity Love Freedom \u2014 are aligned aspects of the whole to which we all belong. With our body as receiver, decoder and transmitter, we interact \u2018embodied\u2019 with others and our environment through our senses and resonance.<\/span><\/p>\n

Cees Krijnen (Haarlem) has a way of straight talking, pointing at the elephant in the room and breaking societal taboos. When invited to the groupshow \u2018Contemporary Selfportraits\u2019 at Sean Kelly Gallery, New York in 1998 Krijnen exhibited a Dutch fine pottery tea set with the words \u2018Kanker\u2019 (\u2018Cancer\u2019) worked into the typical Delft blue design. Cees Krijnen recalls \u201cAt the opening, I met a guest who showed great interest in my \u201ckankerservies\u201d (cancer tableware). He had, quite rightly, understood the Dutch \u201ck\u201d as the English \u201cc.\u201d I later learned he was a musician who in 1992 had dedicated a phenomenal concept album, \u201cMagic and Loss\u201d, to cancer, inspired by the loss of two close friends to the disease. To be honest, at the time, I had no idea I was talking to Lou Reed.\u201d<\/span><\/p>\n

In S.E.L.F. Krijnen is looking at himself quite factually, medically, while highlighting his own fragility by showing doctor\u2019s scans of his liver, following a health scare. All well, says Krijnen\u2019s exhibit, a medical portrait of a chain smoker not averse to a drink here and there. But the question lingers, how comfortable are we, looking inwards, recognizing ourselves as part of nature and its natural cycles.<\/span><\/p>\n

Annee\u0300 Olofsson\u2019s (Stockholm) strong and deeply moving work addresses the self from various angles: as person, as woman, in relationship to others, to our social and physical surroundings, as well as time. In S.E.L.F. the series of mul- tifacetted portraits are printed overlays blending various im- ages of Olofsson\u2019s work into one. The summary of layers allude to our interconnectedness as parts of one whole \u2014 adding the question of chance, what makes us \u2018us\u2019, and how different life would be \u2018if\u2019.<\/span><\/p>\n

In the video \u2018Cold\u2019 we see the artist with no apparent cloth- ing staring into the camera with the January sea of the Stockholm archipelago moving behind her. Olofsson getting visibly colder and colder, her physique reacts to the freezing conditions but the will stays strong and the stare unfazed. \u2018Ricochet\u2019 displays otherwise invisible psychological actions in a physical real-life manner: in slow motion Olofsson is thrown from one side of the screen to another by two unidentified men, of whom we see only hands and sleeves, who turn out to be her father on the one side and her then- partner on the other. In \u201cDo You Know how I feel Around you\u201d the artist slowly turns on a pedestal while the shadow of her father keeps growing larger and larger until it almost covers her entirely. Her exquisite cracked porcelain piggy bank sculpture \u2018Eventually It will All Go to my Head\u2019 portrays herself as cast in a begging position: mocking traditional artefacts reflecting social status Olofsson<\/span><\/p>\n<\/div>\n

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expertly combines beauty, humility and humour\u2014 eventually, all the coins will go to her head, quite literally. While Erinna Ko\u0308nig\u2019s oeuvre of sculptural painting is renowned for probing social critique through highly aes- thetic transformations of daily life objects, her main photo- graphic work is specific to a visual quest of the self. First exhibited at the exhibition \u201cInvention of Reality, Photogra- phy at the Artacademy Du\u0308sseldorf 1970-today\u201d, 2011, her selfportraits included here are \u201cSelf, fat\u201d, 1969 with her head poking out of a cut-out of a big lady in costume. In di- rect opposition, \u201cSelf, Pose\u201d, 1971 sees the artist striking the pose of a swimwear fashion model in a scenery akin to Bot- ticelli\u2019s \u201cVenus emerging from the Sea\u201d. A tongue-in-cheek musing on the idea of \u2018a muse\u2019 \u2014 a role often designated to women in history and the art world, yet not one that Ko\u0308nig could identify with herself. The location of the seashore re- lates back to Olofsson\u2019s video \u2018Cold\u2019, which has endurance, steadfastness as theme. While Olofsson shows the self in re- lation to the physical, natural environments, it can be trans- lated just as well to other challenging environs, may they be psychological or energy based. Ko\u0308nig in contrast plays with allure, gender role and stereotypes.<\/span><\/p>\n

Mia Enell (New York) is a multimedia artist with focus on large scale paintings and drawings often involving the sub- conscious and interpretations of dream-states. Originally from Sweden, she studied at the Beaux-Arts in Paris before moving to New York in the 90s. Uncannily representing thought processes or life\u2019s own poetry on canvas or paper, here she exhibits large scale Rorschach duo-chromes \u2014 cut out as gigantic butterfly images they lift off the gallery wall as if to another dimension. A series of drawings resonate in- ner psychology, raising issues of multiplicity of the self, the unsolved questions and confusion of mankind. As humorous take on social conditioning, she sets the \u2018self\u2019 loose as two croissant-birds \u2013 one zooming up and one already coming down from the skies. \u2014<\/span>Sahara Meer<\/em><\/p>\n<\/div>\n

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The quest for life\u2019s meaning and the self within, is as old as mankind. In Michelangelo Pistoletto\u2019s words \u2018from the first handprint in a cave\u2019 man has been investigating the role of the self within the whole, our traces representing individua- tion of our being. Self as individual and in groups, is the form in […]<\/p>\n","protected":false},"author":3,"featured_media":2356,"parent":275,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2355","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nS.E.L.F.Mia Enell, Erinna K\u00f6nig, Cees Krijnen, Anne\u00e8 Olofsson @ EK STUDIO, 2026 | ERINNA K\u00d6NIG<\/title>\n<meta name=\"description\" content=\"Erinna K\u00f6nig (deutsch, 1947-2021), Meistersch\u00fclerin von Joseph Beuys an der D\u00fcsseldorfer Kunstakademie, verwandelte Fundobjekte zu eloquenter aesthetischer Skulptur-Malerei.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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